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Historial de ca​í​das (remastered)

by El sueño de la casa propia

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pacheddi
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pacheddi Only came across this recently, but has quickly become one of my favourite albums. I find it hard to describe, only that it reminds me of a kaleidoscope of diverse music styles combined, creating something new and beautiful Favorite track: Puertas adentro.
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Sosiégate 04:16

about

«Could an electronic musician become a pop artist? ‘Historial de Caídas‘, ESDLCP official debut is a statement in that sense: album and composer prove a style naturally leaning towards in-vogue pop music, using collage to create songs filled with non-existing choruses.

Throughout ten tracks, ESDLCP grabs assorted electronic resources to set up and disjoint material. There’s room for programmming, sampling, jamming, and deconstructing here. Everything merges into popular-music-crossing soundscapes, taking listeners into a tour of varieties, styles, and realms: toying with calm moods in ‘Puertas Adentro’, glancing to our folk music in ‘Un paso al costado’, and even flirting with rock music in ‘Cortina de Humo’, ending up with a high quota of pop in ‘A la velocidad del amor’ and ‘Voluntad de oro’.

This diversity sets up an endearing mapping, a fragmented, nice whole, mixing in subtlety all-pervading electronica and organic fantasies. Measured-Pop doses, songs and schemes in harmony, electronic music communicating, trespassing. A healthy way for this José Manuel Cerda solo project, where transforming song as a standard into an in-flux art is taken to exhaustion.»

Felipe Mardones
(Santiago, Junio / June 2010)

credits

released October 30, 2020

All tracks composed by José Manuel Cerda aka ESDLCP (Viña del Mar, Chile, 2010).

Mixed by José Manuel Cerda.

Mastered by José Manuel Cerda.

Ilustration and Artwork by Neto Iturrieta / José Manuel Cerda

license

Some rights reserved. Please refer to individual track pages for license info.

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about

ESDLCP (El sueño de la casa propia) Santiago, Chile

Chile’s ESDLCP is low-key one of the most inventive and
intriguing electronic artists working in Latin America, or anywhere. Producer José Manuel
Cerda has a remarkable gift for shattering familiar sounds, such as marimba or the human
voice, only to reassemble them into dazzling and often surprisingly danceable sonic mosaics.
... more

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